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【星際大戰三部曲:西斯大帝的復仇】是全系列唯一保護級的作品,並選在坎城影展盧米埃戲院作為首映,喬治盧卡斯似乎因為想全盤托出,完成銀河共和國年表而找回拍片手感全片在光影的調配極具巧思,安納金的黑色和服(顏色與歐比王相反)早已宣示了效忠黑暗的立場,有段與尤達會面談心的那場戲,使用了【銀翼殺手】的百葉窗式構圖,以暗示各懷鬼胎的內心盤算。

 

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多數電影往往倡導二元對立,但本片反其道而行做出模糊化,片尾穆斯塔法星的十分鐘光劍決鬥偶爾兩人變換方位表現世上沒有絕對的好壞,顯示出惡中有善(安納金多數站於右側,表權力之象徵,再搭配火山造景就與【獅子王】作法相似)

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對決結束後就出現兩個重生,暴君仍然掛念愛人,死去的妻子手上拿的信物告訴觀眾她還想記得丈夫美好的一面,早知若無救妻的想法(或者肯亡羊補牢跟著愛人遠走高飛),雲杜(山謬傑克森  飾演)也不會遇害,更不可能發生屠殺各種族絕地武士與聖殿學童的悲劇(令人聯想到228事件,史稱"第66號密令")

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可見忠貞愛國與叛變的既有認知都是因蒙蔽的謊言而起,與【黑暗騎士】都訴求著英雄成為惡魔只需要一個推力,對此我只想給安納金一個忠告應憑直覺(原力)做事,而不是相信片面之詞

 

 

縱使成為議會內最年輕的成員,安納金還是欲求不滿想當上絕地大師,衝著這份深感冷落的貪念,安納金初登場說的好戲正要開始與師徒決裂時的逆我者亡,都明顯指控了布希陣營對伊拉克的干預,而他們都以為自己是好人,若要說故事的弱項,就是安納金面對真相的轉變與缺乏磨練的演技(相反的痛苦情緒卻成了最佳的戲劇催化),此時開始他心術不正,一會兒通報議會,一會兒卻又舉棋不定跑去妨礙雲杜,當初殺死克里斯多夫李時早就被棄絕地原則,卻在雲杜、西斯二擇一時提起自己的原則,總令人感到莫名其妙

 

 

此片不只交代了路克與莉亞的關係、黑武士的崛起(據說海登演出時還得墊起腳尖)

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還讓複製人風暴兵與丘巴卡短暫現身,

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而達斯系列名號全都來自西斯授予,當然盧卡斯爺爺送給星戰迷的禮物不止於此,前半段白卜庭望著安納金與克里斯多夫李兩人時的特寫與慫恿的口條顯而易見就是西斯大帝的化名偽裝(這樣的匿名性就像「匪諜就在你身邊」),正和【星際大戰六部曲:絕地大反攻】在一旁觀戰父子殘殺的視角一樣,

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而西斯愛徒格里佛斯將軍在斷崖邊的處境就與【星際大戰首部曲:威脅潛伏】相同,安納金成為父親之時與路克將父親感化時彼此的年紀正好都是22歲,連電影最後一顆鏡頭都想模仿【星際大戰四部曲:曙光乍現】,滿滿敬意以饗影迷。

 

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在片中我們知道了安納金的失意與聰明,比旁人更早揭發白卜庭就是能通曉所有原力的西斯大帝,但他也看到安納金一見敵人就魯莽衝動的命格缺陷(例如為求兒女私情改變任務計畫等),發覺這點好加以利用,早在【星際大戰二部曲:複製人全面進攻】中的為母滅族其實就已培養黑暗原力,把太太當成母親的投射,這樣開口閉口媽媽的小子就和格雷沒兩樣,老婆死去的預言是西斯的捏造,

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但真正的死亡是安納金一手促成,從受挑撥到誤殺愛人都和莎翁名著奧賽羅】的主角一致,擁有濃厚的文學寓意,面臨接二連三的挫折與冷落只能持續惋嘆自己的能力不足(這點我深有同感,它也是安納金如此扣人心弦的原因),西斯對他與蒼蠅頭議員的承諾皆跳票(包括妻子復活與自身苟活),實際上在未來已經找到救贖的方法,那就是成為絕地英靈。

 

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放眼安納金的一生旅途,他為了拯救妻子而投入黑暗,回不去也只好將錯就錯,但她也是因為此事而黯然離開,即便如此,命運仍給他第二次機會,在【星際大戰六部曲:絕地大反攻】最終依然完成了預言,可是錯失向善正確抉擇的機會一等就超過20年,所以若本集歐比王就殺死安納金,未來就無法替原力帶來和平(此概念以及類似索倫多次肉體死亡的西斯大帝有點像【魔戒】系列),令人體會到較廣的格局與全盤皆輸的急轉直下,描寫整個時代的興衰而非如正傳三集般只是場個人冒險,鐵定是星戰系列的一大高潮。

 

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我對此片的評分:★★★☆

 

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